Faux windows with simulated changing light levels

It will be very heavy. Use rope LED cool white lights and attach to the outer part of the back of the window all around. Paint the area behind where the window will be mounted with white wall paint. This will enhance the natural lighting effect of sunlight. BarryBelcher's Follow Message Website. Unique Content - Each eScape features 8, 12, or 16 hours of footage. Scenes are typically over an hour of uninterrupted, unedited footage of pristine nature.

Our proprietary vertically composed footage cannot be found anywhere else. Upgrade your Video Library - You can always add more footage later — contact us for details. Beautiful trim options create architectural context around our digital window, enhancing the illusion of open space. Select trim in Buyer's Guide. Sky Factory's award winning photographers and cinematographers go to great lengths to capture unique footage of pristine nature.

Using the latest RED Digital Cinema technology, Sky Factory artists capture the beauty of mountains, waterfalls, shorelines, streams and rivers, wildlife and habitats in carefully composed master sequences. Our continuously expanding library is a great resource for new and existing customers. Sky Factory's unedited, real-time scenes vary in length from 30 minutes to minutes.

If you don't see what you are looking for, please contact us. We are often able to capture the scenery our clients want.

Healthcare Dental Commercial Senior Living. Library of Scenes Description: At about 1, meters altitude, waters of the Mistaya River run parallel to and east of the Continental Divide to finally reach the ocean at Hudson Bay. Cloud shadow-patterns from dramatic skies flow over the landscape.

Play this scene. Choose your scene At about 1, meters altitude, waters of the Mistaya River run parallel to and east of the Continental Divide to finally reach the ocean at Hudson Bay. A typical breezy New Mexico afternoon. The sounds of wind and water mix. The sky shifts slowly and only once do clouds cover the sun. Toward the end of the sequence, the sun drops in the west and shadows lengthen.

This sequence is a study in contrasts and dissolving boundaries. Characteristically, they often bounce on a rock before making their move. In , Henry David Thoreau wrote in his journal: "I should wither and dry up if it were not for lakes and rivers. Water seems a middle element between earth and air.

The most fluid in which man can float. Across the surface of every lake there sweeps a hushed music. High in the Rocky Mountains we are immersed in the clouds of a three-day snowstorm. All sound is absorbed by the snow-laden fir trees and deeply covered ground. Light is as delicately modulated as the silence. As the afternoon fades into a clear twilight, everyone returns to their underground homes. Wind and silence dominate.

Wind in the grasses and sage and occasional cameo appearances of sparrows and hawks. Swallows and a Caspian Tern make cameo appearances. During the sequence, night surface ice melts as the river's flow increases. The sound of water and occasional gusts of wind persist throughout. A groundhog, a leaping Mule deer, and a diving Belted kingfisher make cameo appearances. In the background of river-sound, bird songs and the sounds of insects.

Overhead clouds, visible only in reflections on the wet sand, produce dramatic lighting changes. Waves of scintillating light appear on surfaces of water and wet sand. A distant lobster boat makes a brief appearance. Near and distant wave sounds are occasionally mixed with wind.

Intimate, familiar, perhaps even nostalgic, this brook could almost be anywhere. Incoming morning tide washes drifting ocean kelps.

Approaching waves pass beneath the observation point in the later portion of the sequence. Seagulls fly by and fish occasionally appear inside the waves. Autumn colors become vibrant for a moment when the sun peeks through the cloud cover. Rain of varying strengths and patterns falls throughout most of the sequence. Changing wind direction and speed creates ripples and waves on the lake surface. Cloud-filtered sunlight creates dramatic shifts from dark to light.

Low mist-clouds are blown across the far end of the lake. Luminous Virtual Windows. How Luminous Virtual Windows Work. Image Library. Most hotels are about 60 to 80 feet thick so that every room has a window. Windows have a psychological effect on people. A window that looks onto a pretty field of flowers with blue skies can have an uplifting, emotional effect.

Seeing nature has a calming effect, and an ocean view is simply impressive. A lack of windows has an inverse effect. Some people feel claustrophobic in small, windowless rooms and offices. A closed in room can feel like a trap or even a prison. This is why humankind has been hanging tapestries, paintings and other artwork on interior walls since the dawn of man. There are many reasons. For one, it is physically impossible for the small rooms in a large building to have windows. It can also save on AC costs and increases security.

Most large stores department stores, grocery stores, malls, etc , warehouses and factories do not have outside windows for multiple unavoidable reasons. The market for a convincing interior window is potentially huge. It needs to be done right though. Here are some examples of existing attempts to improve interior space with virtual windows:. SkyV by Sky Factory. Any one of the above defects can completely kill the illusion. If a window does not look real, it will not have the positive effect that windows can have on people.

A patient walking down a hospital hallway, worried about his problems, should not realize the windows are synthetic. Building nice casements, providing spectacular scenes, using large bright LED displays and offering a plethora of options all go without saying.

The hardest part of this illusion is solving the perspective problem. Look out any window and move your head up, down, right and left. Panning and zooming is all it has to do to pull off the illusion.

No rotation or other image changes are needed to start with. This is because our outside views will not have anything close enough to require a perspective change.

If the image does not pan and zoom to the observer, your mind will tell you the image is at the glass, like a picture, not far away. Here is an example of how the image changes from two different points of view.

As your point of view moves, so does the image in the window. This effect instantly tells the brain that the mountains are far away, giving the illusion of distance. Even if the observer knows the window is fake, their subconscious is still fooled into thinking there is space around them. The best example of what this illusion can be found on YouTube. In the video you can see how the window pans and zooms with the observer.

However, their design is fundamentally flawed. The observer has to carry a transmitter that tells the computer where they are in the room. A commercial or public building could never require this of the people that walk by. This brings us to the crux of the idea. It consists of four small cameras in the four corners of the window. Like the camera in your cell phone, these are tiny and cheap. The video from these cameras is fed into face detection software.